MAXINE BRISTOW

  • Home
  • About
  • Research Threads
    • Practice development
    • 1 - plain sewing in the space of painting
    • 2 - material multiples: from inner to outer relationships
    • 3 - arbitrary divisions
    • 4 - repetitive corporeal habits and points of transition
    • 5 - materially measured
    • 6 - PhD research 'catalogue components'
    • 7 - PhD research 'component configurations and (re)configurations'
  • Exhibitions
    • Made With - Cross Lane Projects (2020)
    • Fabric Touch and Identity - Compton Verney (2020)
    • Attach/Detach (2016)
    • Art_Textiles (2015)
    • Component configuration 010914-CH22LB (2014)
    • Cloth and Memory {2} (2012)
    • 'Concordance' component reconfiguration (2013)
    • Concordance (2013)
    • 'Transformations' component reconfiguration (2012)
    • Transformations (2012)
    • Z-depth buffer (2011)
    • Bite-Size (2011)
    • Component configuration 18111-CH22LB (2011)
    • Cloth & Culture NOW (2008)
    • Unbound (2007)
    • Sensual Austerity - Bolton (2007)
    • Sensual Austerity - The Hub (2006)
    • Business as usual (2007)
    • Nottingham's Contemporary Textiles (2005)
    • Through the Surface (2004)
    • Jerwood Applied Arts Prize (2002)
    • (Un) Limited Repetition (1999)
    • Textures of memory: the poetics of cloth (1999)
  • Published Material
    • Research
    • Exhibition Catalogues
    • Catalogue essays, reviews, articles
    • Self authored catalogue essays, book chapters, and journal articles
  • CV
    • Education, Teaching and Employment
    • Exhibitions and Collections
    • Professional Recognition and Awards
    • Publications and Catalogues
    • Conference/Symposium presentations
    • Reviews-Articles-Citations
  • Contact
  • Home
  • About
  • Research Threads
  • Practice development
  • 1 - plain sewing in the space of painting
  • 2 - material multiples: from inner to outer relationships
  • 3 - arbitrary divisions
  • 4 - repetitive corporeal habits and points of transition
  • 5 - materially measured
  • 6 - PhD research 'catalogue components'
  • 7 - PhD research 'component configurations and (re)configurations'
  • Exhibitions
  • Made With - Cross Lane Projects (2020)
  • Fabric Touch and Identity - Compton Verney (2020)
  • Attach/Detach (2016)
  • Art_Textiles (2015)
  • Component configuration 010914-CH22LB (2014)
  • Cloth and Memory {2} (2012)
  • 'Concordance' component reconfiguration (2013)
  • Concordance (2013)
  • 'Transformations' component reconfiguration (2012)
  • Transformations (2012)
  • Z-depth buffer (2011)
  • Bite-Size (2011)
  • Component configuration 18111-CH22LB (2011)
  • Cloth & Culture NOW (2008)
  • Unbound (2007)
  • Sensual Austerity - Bolton (2007)
  • Sensual Austerity - The Hub (2006)
  • Business as usual (2007)
  • Nottingham's Contemporary Textiles (2005)
  • Through the Surface (2004)
  • Jerwood Applied Arts Prize (2002)
  • (Un) Limited Repetition (1999)
  • Textures of memory: the poetics of cloth (1999)
  • Published Material
  • Research
  • Exhibition Catalogues
  • Catalogue essays, reviews, articles
  • Self authored catalogue essays, book chapters, and journal articles
  • CV
  • Education, Teaching and Employment
  • Exhibitions and Collections
  • Professional Recognition and Awards
  • Publications and Catalogues
  • Conference/Symposium presentations
  • Reviews-Articles-Citations
  • Contact

Research

  • PhD Thesis: Pragmatics of Attachment and Detachment: Medium (Un)Specificity as Material Agency in Contemporary Art, 2016, University of the Arts London, Norwich University of the Arts.