Catalogue essays, reviews, articles
Solo exhibition catalogue essays, features and reviews
Rhiannon Williams (2014) Maxine Bristow: Concordance, Textile, 12:2, 228-233, DOI: 10.1080/14759756.2014.11423352 - read more.
Walker, R. L. (2013) ‘Cloth and Memory {2} Mutable Frame of Reference’ - read more.
McKane, A. (2013) Catalogue essay, ‘Maxine Bristow: Concordance, Whitworth Art Gallery, Manchester’.
Hemmings, J. (2007) ‘Maxine Bristow: Everyday Inspirations’ in Embroidery Magazine (March/April, 2007: 14-16) - read more.
Hill, J. (2007) ‘Maxine Bristow, Sensual Austerity’, Selvedge, Issue 13, p.91Mitchell, V. (2006) ‘Clothing the Grid: alterations and alternations’ in Sensual Austerity exhibition catalogue, The Hub, Lincolnshire - read more.
Oliver, E. (2006) ‘Articulate Silence’ in Sensual Austerity exhibition catalogue, The Hub, Lincolnshire.
Hemmings, J. (2006) 'Maxine Bristow, Sensual Austerity, The Hub, Sleaford’ in Crafts, No.203, Nov/Dec 2006, p.64 - read more.
Johnson, P. (1997) ‘A Sense of Order’, Crafts, vol. 47 July/August 1997, p.26-29. ISSN 0306-6 10x
Other group exhibition features and reviews
Catherine Dormor (2013) Transformations, Textile, 11:1, 94-101, DOI: 10.2752/175183513X13588738655016 - read more
Kay Carson, Sensual Austerity, 24 Hour Museum, 22.9.06
Kay Greenlees, ‘Revealed: Nottingham’s Contemporary Textiles’ in Selvedge, Nov/Dec 05, Issue 08, p. 88. ISSN 1742-254X
Jessica Hemmings, ‘A Bridge Between Britain and Japan’ in Surface Design Journal, pp.36-41, Fall 2004.
Oliver Lowenstein, ‘Through the Surface’ in FibreArts, p.46-51, Sept/October 2004.
Lesley Millar, ‘Through the Surface’ in a-n Magazine, p.32-35, April 2004.
Liz Hoggard, ‘Surface Treatment’ in Crafts, no. 187, pp.25-31, March/April 2004.
Hilary Turner, ‘Through the Surface: Collaboration, Process and Outcome’ in Journal for Weavers, Spinners and Dyers, pp.20-24, March 2004.
Angela Kennedy, ‘Fabric Futures’ in IdFX Magazine, p.34-39, March 2004.
Polly Leonard, ‘Through the Surface Collaborating Textile Artists from Britain and Japan’ in Embroidery vol.54, pp.38-39 Sept 2003.
Polly Binns, ‘Jerwood Applied Arts Prize’ in Textile - The Journal of Cloth and Culture, vol.1, issue 1, Spring 2003.
Mary Schoeser, ‘Jerwood Applied Arts Prize 2002: Textiles’ in Crafts, no.180 Jan/Feb 2003, p.50
Jo Saunders, ‘Jerwood Applied Arts Prize 2002: Textiles’ in Embroidery, vol.54, Jan 2003
Polly Leonard, ‘Textile Innovation The Jerwood Prize for Textiles’ in Embroidery Magazine, September 2002, pp.20-21
Anne Hamlyn, ‘Textures of Memory’ in n.paradoxa Vol.6, 2000. ISSN 1461-0434
‘Textures of Memory the Poetics of Cloth’ in Crafts, no.162, Jan/Feb 2000
Polly Leonard, ‘Cloth or Concept Trends in Textiles Today’ in The World of Embroidery, July 1998 Volume 49, No.4
Pamela Johnson, ‘A Sense of Order’, Crafts, vol. 47 July/August 1997, p.26-29. ISSN 0306-6 10x
Pamela Johnson, exhibition review Flexible 2, Crafts, vol. 47 July/August 1997, pp.53-54. ISSN 0306-6 10x
Pamela Johnson, ‘Time for Textiles’, Crafts, No.144 January/February 1997, pp.20-25. ISSN 0306-610X.
Renata Brink, ‘Textile Texts’ in Artists Newsletter, November 1996.